More demos of VR for friends, this time with Dave and Kathie, separately with Troy and (updated in December 2021) with Clay:
See also past VR demos with Martha and Dave and with Glenn, Michele and Seaerra:
and my original demo of VR experiences with me and Darlene:
Virtual reality is… freakin’ amazing. (At least with the new, very high resolution HP Reverb G2… see my hardware details below.)
Let me try some words first…
It’s a truly astounding and engrossing experience – an incredible, brain-fooling trick: you put on the headset and immediately you feel like you are physically somewhere else. Rationally you know that you’re still sitting or standing in your room at home, but as you look around and up and down and see and hear this entirely different environment, rendered perfectly in sync with your head movements, it’s utterly convincing that you’re somewhere else. Maybe you’re standing on top of Mt. Everest or hanging in space over the Earth. It’s not at all like looking at a screen, or even a 3D movie. It’s like being somewhere else.
Yes, you’re wearing this contraption on your head. Yes, you know you can just remove the headset and see again the room you’re really in. And yet, part of your brain is fooled. You hold up your hands in front of your face and you see a virtual set of hands and they move and turn in sync with your physical hands. Just standing and turning around makes you feel like you’re there but then you take some steps, some actual physical steps in the real world – and you find yourself moving in this virtual world. It suddenly becomes all the more convincing and all the more of your brain is fooled.
You crouch down and look around and your perspective changes to match. You reach down and “pick up” an object off the virtual floor. You can’t feel it but you can turn it over in your hands, and can set it on a table or throw it across the virtual space with a simple, natural motion. You step to the edge of a balcony and look over the side and feel the threat of vertigo. You turn away and approach a door, reaching out for the handle and physically pull the door open, looking into the next room. It’s dark as you step inside, so you take out your flashlight and shine it left and right into the corners of the room, trying not to be caught by surprise.
You see a zombie wake and turn towards you, moaning and shambling towards you. He’s just a dozen virtual feet away as you grab your pistol and raise it to fire – discovering you’re out of ammo. Unlike any game played on a flat screen, you feel like you’re actually in the same space with this menace bearing down on you. You have to resist the instinct to physically back away – or to turn and run in panic, yanking out the cord between your headset and computer. Instead you hold your ground, reminding yourself that this creature so clearly coming at you isn’t real. You eject the empty magazine and physically reach over your shoulder with your other hand to grab a new clip out of your virtual backpack, slip it into the gun, pull back on the slide – not button presses mind you, but physical hand gestures – and then quickly aim (actually raising your arm, no thumbstick or mouse movement) and let off several shots at the zombie to fell it. And yeah, don’t be surprised to feel an elevated pulse or quickened breath after dealing with an intense scene. The immersion is just crazy amazing. And it’s really easy to forget yourself and try to lean on a bannister or a table and get a sudden rude reminder that there’s nothing really there to support you.
Of all your senses, most notably touch is missing. You can’t feel the wall or door that blocks your way, objects that you pick up have no weight to them and what you always feel underfoot is the familiar floor of your home. Each of these do break the illusion, remind you that you’re in a simulation. But just sight, sound and natural physical gestures go a long ways to providing an amazing array of virtual experiences: from defending a castle against animated invaders by shooting arrows with a virtual bow to using a giant slingshot to aim and launch talking cannonballs for maximum destruction in a giant warehouse in Valve’s The Lab, sitting in the cockpit of various airplanes, flying over detailed renderings of any part of the entire world and through live simulated weather in Microsoft’s new Flight Simulator, exploring the frightening dystopian world of Half-Life: Alyx, fighting off walking zombies and leaping headcrabs, or simply walking around the Mos Eisley Cantina from Star Wars or the streets and shops of Stormwind from World of Warcraft.
Okay, how about some video…
I’ve been blown away by what it’s like to experience virtual reality right now and I’ve been itching to share the experience with friends over the past few months, but of course we can’t get together with the pandemic still going strong. So I’ve put together a video to share some of the experiences – even though a video can’t come anywhere close to conveying what it’s like to actually be immersed in virtual reality. It’s the same difference as actually physically being somewhere versus watching a video recording of someone else being there, but here goes anyway:
A collection of VR experiences
What I demonstrate in that video is the default Steam VR home environment, Google Earth VR, MS Flight Simulator, Valve’s The Lab, Half Life: Alyx, I Expect You to Die, Superhot VR, a World of Warcraft environment and a bunch of Steam VR environments: Enterprise bridge, Hobbit house, Mos Eisley Cantina, Sno Champ and a robot boxing ring.
There’s still so much more to try though: Asseto Corsa car racing sim, Star Trek Bridge Crew co-op simulation, The Room VR puzzle game, Elite Dangerous space sim, The Climb 2 extreme climbing game, Earthlight NASA Spacewalk sim, Keep Talking and Nobody Explodes cooperative challenge, DCS World WWII flight battle sim, Fruit Ninja VR, Star Wars Squadrons space sim, No Man’s Sky, Fallout 4 VR, Borderlands 2 VR, Detached puzzle sim in space, Down the Rabbit Hole puzzle adventure, some short Portal-based experiences, lots of interesting environments to explore, etc.
See more here about Microsoft’s new Flight Simulator: Flying All Over the Planet
It was the promise of VR with Microsoft’s new Flight Simulator that pushed me to look into getting a proper PC-based VR system. I’ve tried a couple of inexpensive headset shells in the past that let you use your phone’s display and it’s motion tracking ability to get a taste of VR, but that was nothing like this.
What I decided to buy was the new HP Reverb G2 based on its incredibly high resolution displays: 2160 x 2160 for each eye. The result is that you can’t see the pixels or any sort of “looking through a screen door” effect and the image quality is much improved over older headsets, particularly in the center portion of your view.
That’s a challenge with all VR headsets though: the need for lenses to project the image so that your eyes are focusing on an image a meter or two away rather than the actual physical display that’s only a couple of centimeters away. This lens introduces chromatic distortions that make the outer areas much less clear than the center portion. In addition, to leave room for eyeglass wearers, the lenses and displays need to be mounted a little bit away and this in turn limits the apparent field of view. You end up feeling like you’re looking through ski goggles or some very wide binoculars. Different headsets will make different trade-offs in lens quality and field-of-view versus expense. HP here has managed to get some very high resolution displays with decent lenses into a fairly inexpensive full kit.
The audio on this headset is great too, borrowing the speaker design from Valve’s more expensive Index headset: the speakers sit completely off of your ears, unlike headphones, adding to the overall comfort.
The Reverb’s controllers are a bit of a compromise though: in order to eliminate the need for externally mounted tracking modules, the Reverb G2 has four outward-facing cameras to track the position of the controllers. It works okay, but it definitely has blind spots and can’t always tell where the controllers are. Plus these Windows Mixed Reality-style controllers aren’t able to track individual finger positions like the Valve Index controllers. Even better, the Index controllers strap around your palm, leaving you free to make grasping motions without having to hold on to the controllers.
I’m using the HP Reverb G2 with my 2019 16″ MacBook Pro and an external GPU case, first for a 5700 XT but now a 6800 XT, one of the latest high-powered graphics cards. To use the Reverb, I have to boot into Windows (via Boot Camp, doesn’t work under Parallels) but it works well and provides access to all of the many Steam VR-compatible titles as well as Oculus/Rift-exclusive titles via Revive.
I’ve now had the opportunity to try the older and more expensive Valve Index system. It has a much lower resolution 1440 x 1600 for each eye and it definitely shows in comparison to the Reverb G2. There’s a fairly obvious “screen door” effect where you can see the fine grid of pixels and things just aren’t as clear and crisp. On the other hand, it can display a wider field of view than the Reverb G2, which is nice. It was also interesting to discover that the Reverb G2 is more comfortable to wear than the older Valve Index. It’s lighter and more secure on your head without being tight and it doesn’t cramp your nose. One thing I prefer on the Valve Index though is the ability to adjust the field-of-view by turning a dial to move the lenses closer or farther away.
The Valve Index depends on a set of external base stations to track the controllers and help track the headset – which certainly isn’t as convenient as systems that do “inside out” tracking from the headset itself. In addition, I wasn’t aware that the base stations emit a constant high frequency whine. Initially this was very bothersome but this seems to have improved with a firmware update and isn’t noticeable anymore.
It’s actually possible to hack together a system for using the Valve Index controllers with other headsets (like my Reverb G2). This can give you better hand tracking and full finger tracking but it’s pretty fiddly and requires a lot of setup – plus I’ve found that the training and calibration that allows this hack to work can get messed up and require reconfiguring things all over again. At times I’ve gotten frustrated with trying to make it work and just gone back to the original Reverb G2 controllers, no hacks or calibration required.
I just tried out this new deep learning tech, Deep Nostalgia, on a couple of old photos of our parents. You give it an old still photo and it generates a “Live Photo” animation from it – pretty freaky:
I’ve been enjoying the new Microsoft Flight Simulator 2020 which features the ability to fly anywhere in the world with often amazing displays of detail and realism, including live weather effects. If you haven’t seen it yet, here’s several written reviews (IGN, Polygon, Gamerant) and a few showcase videos:
I’m running MS Flight Simulator on my 16″ 2019 MacBook Pro, an ultrawide LG monitor (3440 x 1440) and a Logitech G Pro Flight Yoke system with rudder pedals. (A yoke is much easier to fly with than the keyboard controls.) It’s a pretty immersive experience:
(For all of these YouTube videos, you’ll want to go full screen
and force the highest resolution, not just leave it on “auto”.)
Be aware that right now, as with all the newest graphic cards, every flight yoke and joystick is pretty difficult to find anywhere at normal retail prices ($165-ish) as the release of this game (and the pandemic) have driven them out-of-stock everywhere.
Even with the whole world available to explore, it’s particularly fun to fly around places that you know very well from the ground. I’ve created a couple of longer videos of such flights – here’s a tour of the Santa Cruz area, including the boardwalk, downtown, Scotts Valley, Felton and north along the coast as far as Año Nuevo:
Some locations (like Santa Cruz above) benefit from detailed photogrammetry data providing lots of realistic detail. Other locations get carefully handcrafted buildings and objects (particularly at select airports), while the rest of the planet gets more generic textures and topographical information from satellite data and auto-generated details like trees and buildings. For example, the generic buildings populating the ghost town of Bodie are very out of place in my little tour of the Eastern Sierra – from Bishop to Mammoth and on to Mono Lake and Bodie:
Lots of folks are already making add-ons that you can drop in to enhance the rendering of a particular location or add a particular plane. Here’s one great index of available add-ons for MS Flight Simulator.
The 16″ MacBook Pro (2.4GHz 8‑core Intel Core i9) can actually manage to run MS Flight Simulator on my ultrawide monitor with just the laptop’s built-in AMD Radeon Pro 5500M GPU but at lower Medium level settings. This game can be very CPU and even network intensive (the world does not fit on your hard drive) so the game can bog down even if your GPU has cycles to spare.
For higher quality settings, I’m using a Red Devil Radeon 5700 XT graphics card in an external GPU enclosure (connected via Thunderbolt) running MSFS 2020 on Windows 10 via Apple Boot Camp. This setup allows for something between High-End and Ultra settings at 3440 x 1440 resolution.
Update (Jan 2021): I’m since been able to get one of the new, next generation GPU’s: an overclocked Radeon 6800 XT and I’m now able to run smoothly at even greater than “Ultra” settings from my 2019 MacBook Pro. It looks fantastic!
Note that you’ll likely need to go through a bit of hassle to successfully configure these AMD graphics cards under Boot Camp. See the egpu.io forums and bootcampdrivers.com for help. The Nvidia cards don’t require workarounds for Boot Camp but they’re not supported at all on macOS, whereas the AMD cards work under macOS without doing anything.
And now in virtual reality: I’ve also picked up a very high resolution HP Reverb G2 VR headset which makes for a truly amazing and engrossing experience. With a proper VR headset, you get that incredible, brain-fooling trick of virtual reality immersion – of seeing and hearing only the virtual world around you, no matter which way you look. With the Reverb’s incredibly high 4320 x 2160 resolution, I can’t run at the highest graphics settings (even with that new GPU) but it doesn’t matter – that feeling of immersion is so captivating – feeling like you’re actually sitting in the cockpit. You’ve got to directly experience it though to believe it. Watching a video recording shown on a fixed screen in front of you can never convey it. I’ve written more about experiencing virtual reality here.
I decided to go ahead and replace my Tesla Model 3 with a Model Y – both are Performance versions but both have the standard wheels and suspension for added clearance.
I’ll miss the Model 3 – the Model Y doesn’t feel quite the same. The Model 3 is definitely more fun to drive just because of how it sits lower and feels more planted, like driving on rails. However, the Model Y is easier to get in and out of, you have much more space for loading stuff and it’s much easier to load our two mountain bikes inside than it was with the Model 3. Also, I like the integrated factory hitch option that’s at bumper level, as opposed to the aftermarket hitches for the 3 which had to mount underneath.
The Model Y’s suspension feels a bit “jouncy” (it could really use an air suspension option) and, somewhat strangely, under full launch acceleration the Performance Y doesn’t feel as stable as the Performance 3, presumably because of the taller stance. It’s still nice to drive though – and it’s still a Tesla, with all the delight that implies. I’m very happy with it but I would’ve been fine with keeping my Model 3 if only it had a full hatchback design for easy loading of bikes and gear, or if the Model Y had never come out.
Besides the obvious additional rear cargo space, the rear under floor and side pocket space and the frunk are all also larger. There’s extra room in the rear seats and easier entry/exit all around due to the higher seating arrangement. The Model 3 is of course more aerodynamic but the Model Y now has a heat pump and an inventive valve system to direct heat to/from the motor, battery or cabin as needed. This gives the Model Y very similar range as compared to the Model 3 despite being larger, at least until this heat pump/valve system is carried over to the Model 3.
Update: Yup, as of late 2020 and along with some other changes and additions, the late-2020 Model 3 has gained added range from the new heat pump system.
If you’re interested in buying a Tesla, using someone’s referral link will give you a discount (the amount varies over the years) and grants redeemable credits to the person who referred you. Here’s my Tesla referral link.
Click through for more comparison pictures:
Update (June 2021): I decided to get some sportier-looking wheels as well as upgrade the tires. The stock Continentals don’t do that great on snow. Here’s my Model Y now with Replika R241 alloy wheels (19×8.5) and the highly-rated Vredstein Quatrac Pro XL (255 R45-19) all season tires:
My two Tesla Powerwall 2‘s were installed last week and now I’m running on my own solar-generated power after dark!
You see, Powerwalls not only keep the lights on when the power goes out but they also let you automatically time shift energy daily to avoid using power from the grid at peak demand times – not something you get from a traditional backup generator. Plus they don’t need any maintenance or fuel.
And yes, this does mean that now I will still have power for the whole house and, most importantly, running water the next time PG&E needs to shut down the power grid for fire safety. Yay!
It used to be that daily peak energy demand occurred through the mid to late afternoons but with the widespread adoption and installation of solar photovoltaic panels, that afternoon demand has evaporated and the peak demand now comes in the evenings. As a result, power companies have been adjusting their rate schedules to reflect that, with the highest cost of energy running well after dark to 8 and 9 pm.
With battery storage, you not only get backup power for the whole house in the case of outages, but you can also automatically store energy generated during low demand periods of the day (including from your own solar panels) and automatically use that stored energy during the later peak hours, even after the sun goes down. This means that your existing solar PV system ends up being even more effective and cost-efficient.
Time-shifting energy usage with battery storage works so well that Tesla and other companies have been actively deploying massive, utility level battery storage systems around the world, in place of traditional, expensive peaker plants. (Peaker plants are power plants whose primary purpose is to cover periods of high demand.)
I really like the Tesla app for configuring and monitoring your Powerwall and, if present, your solar PV system. It continually displays the flow of power between your home, Powerwalls, solar panels and the power grid – in real time.
You can specify to keep the system in a “backup only” mode (keeping the batteries fully charged at all times), in a “self-powered” mode (where it stores any excess solar generated and uses it to power the home as much as possible each day), or in one of two time-based control modes where it forecasts your future energy usage and time-shifts your energy use and solar production to fit the peak, off-peak and shoulder periods of your particular electricity rate schedule. And all of these modes operate under a “storm watch” feature that will automatically override the normal behavior of the Powerwall to prepare for forecasted storms or other events that may result in an outage. All very cool!
I tried running in the “balanced” time-based mode for most of March but then switched to “self-powered” mode because, during the non-summer months (October – April), there is no peak rate and the difference between partial-peak and non-peak is only a couple of cents. In “balanced” mode, the system would make a point of exporting any excess solar generation during the partial-peak period for credit rather than continuing to charge the Powerwalls. This would mean it would be more likely to need grid power overnight. Now in “self-powered” mode, the Powerwalls are charged more and usually able to handle the entire house load overnight – depending on the weather (solar production and house heating need).
Update (June 2020): Well, it’s not even summer yet and the Powerwalls are already letting the house run completely self-powered most days. And by “house” I mean everything (central heating, water heater, cooktop/oven, washer/dryer, well & pressure pumps, septic system pumps) plus the cars (we’re both driving electric). There were a couple of days that were a bit stormy and cold enough to want to heat the house and a couple days of heavier charging of one of the cars, but every other day required no power from the grid (day or night) – and yet the system still exported plenty of excess solar generation by the end of the day. Having a couple of Powerwalls really does sort of double how much you get out of your existing solar panels. (I’ve got a 9 kW solar system.)
During the summer months, when there’s a daily period of much higher peak pricing, I expected to make use of the time-based “balanced” mode to optimize how much credit I get for excess solar generation. As it turns out, in the “balanced” mode the Powerwalls will switch to exporting solar power during the peak period even if the batteries aren’t yet full. So I switched back to “self-powered” mode to let the batteries fully charge each day to be sure to have plenty for overnight usage. They tend to fill up by early afternoon on sunny days and plenty of excess solar power gets exported at the peak rates anyway. This excess solar generation during the spring to autumn months will still make up for the power I need from the grid over the winter when the house uses much more energy for heating. (My panels were installed to optimize for summer peak rates – 75% of them are oriented to the west for summer afternoons. Now that I have the Powerwalls, I almost wish I had optimized them more for the winter sun.)
If you’re interested in buying a Powerwall, using someone’s referral link will gain you (and the person who referred you) a small rebate. Here’s my Tesla referral link.
My installation by Tesla wasn’t without issues. Read more “Tesla Powerwalls Installed”
I received my eVscope from Unistellar in January of 2020 and I thought I would share my thoughts and experiences with it – particularly since there wasn’t a lot of info available when I ordered it in back in July of 2019. I’ve since been adding to this page to provide additional information.
The Unistellar eVscope is quite different from a traditional optical telescope. It’s a highly integrated and automated digital imaging telescope that enables you to easily find and view deep sky objects in color and detail that would not normally be perceptible to your eye looking through a normal optical telescope. In addition, the eVscope is designed to let you easily participate in and contribute data to crowd-sourced “citizen science” projects.
The eVscope is a 4.5-inch Newtonian reflector that captures light on a highly sensitive, low noise Sony IMX224 color sensor while using a motorized alt-az tracking mount and autonomous field detection to automatically identify, align and continually track its view of the sky. Integrated image-processing software takes and combines an on-going series of short exposures to generate an image in almost real time that brings out much of the very low light, color and detail that’s not visible to the human eye even when looking through a normal telescope. This view accumulates over just seconds and minutes and is displayed both in the telescope’s eyepiece (on an OLED display) as well as on a WiFi-connected smartphone. The whole thing is self-powered via an integrated 9-10 hour rechargeable battery, fits into a large backpack and weighs just under 20 lbs. including the provided tripod.
In other words, it’s quite an impressive level of integration!
While you can of course outfit a normal telescope and tracking mount of your choosing with the necessary cameras, computer, tracking and image stacking software, WiFi connectivity, battery power, etc., you then also have to develop the expertise to use and troubleshoot this software – and it’s not trivial. To be clear, the eVscope is not really designed to be a sophisticated imaging tool or to compete with the results you can eventually get with lots of practice and expertise and many hours of capturing and processing images. Instead, the eVscope is intended to let you very easily see and enjoy much more detail than you can with a normal, unaided telescope and it provides quick setup, ease of control from your smartphone, and a fun, real time viewing experience all wrapped up in a lovely, convenient little package.
It is however not cheap to integrate all these components into such a convenient package. As such, I wouldn’t recommend it for someone wanting to dip their toe into astronomy on a small budget. It’s pretty clear though that this makes for a wonderful tool for astronomy outreach programs anywhere and I’m really looking forward to sharing the experience with friends and their families.
I recorded a video to demonstrate the ease of setting up and using the eVscope:
I forgot to record using the focus ring on the base of the scope, so perhaps I’ll add that later, but Unistellar provides a nice page detailing how to use it with the provided Bahtinov mask: How to use the Bahtinov mask? (It’s great how the mask is integrated into the cap!)
With the earlier version of software (version 0.9), I did encounter a lot of bugs but most of these have already been addressed in version 1.0 (April 2020). And now it’s performing even better in version 1.1 (October 2020). They’ve also made many improvements over just this year and added functionality that makes the eVscope an even more fun and amazing experience to share with people.
The ease of setup and the speed with which you can get to viewing objects is great. I really like the convenient size of the thing, including the integrated power supply and the optional padded backpack to carry and protect it. The initial star alignment process is super fast (around 30 seconds) and it’s autonomous field detection system seems to do a great job of tracking the sky and dealing with field rotation over several hours. I did find the views appear slightly soft (presumably from the effort to track, align and integrate frames over many minutes) but still quite enjoyable, and perhaps this will improve with future updates. You can see some sample images below. I should note that I haven’t tried collimating the scope yet, so I’ll update here when I get the chance. Update (April 2020): I finally had both time and a bit of clear weather to collimate the telescope and it turns out it was off a little but now well aligned. Over time I’ll try to replace all the images in the gallery with new ones post-collimation. So far it’s just the last few in the gallery that were taken after collimation. (Whirlpool Galaxy, Ring Nebula, Eagle Nebula)
Another aspect of the very quick and easy setup is that it takes less than a minute to pull out the scope on a whim, stand it up on the open patio outside my bedroom, remove the cap, turn it on and dash back inside out of the cold winter night, and settle in with my phone or iPad and mess around exploring the sky, in warmth and comfort. I definitely cannot set up and align my 8” SCT and german equatorial mount so quickly and easily even with the auto-align accessory, plus there’s setting up cameras, laptop, myriad power and USB cables, etc. Not to forget to mention the disassembly and take down time afterwards again!
That said, I don’t think you should think of the eVscope as astrophotography gear. Everything is integrated to make it easy to observe deep sky objects with color and detail you can’t see without the aid of sensors, but it does not provide the means to capture frames and do your own stacking or more sophisticated and detailed imaging with a non-color sensor and color filters, etc. I would not expect this telescope to compete with custom gear where you have control over everything (and of course have to learn how to do everything). That is not the purpose of its design. Similarly, the cost reflects the benefits of integrating all these pieces (sensor, tracking software, stacking/imaging software, display, power supply, etc) into a small and elegant package without any cables or separate components to manage while also making it dead simple to use. That’s what you’re paying for and that’s the trade-off.
As of February 2020, the provided documentation was pretty good in some areas but a little weak in others. For example, I was surprised how long it took me to find a little blurb buried in a list at the back of the printed guide that explained how to tell if the battery was fully charged.
As of May 2021, the provided online documentation is much improved. I don’t know what has changed with the printed instructions since I received my scope back in January of 2020, but there’s plenty of information now available from their online knowledge base and more and more questions are getting answered over time.
As I mentioned above, the eVscope is also designed to participate in crowd-sourced “citizen science”, in partnership with the SETI Institute. As per their web site, the eVscope “allows users around the world to participate in observing campaigns to image and collect data on objects of special interest to researchers. In Campaign Mode, image data is automatically sent to a data repository at the SETI Institute’s headquarters in Silicon Valley. The international scientific community can then access unprecedented volumes of image data for specific objects, from thousands of telescopes around the world, at different dates and times. This in turn, can enable new discoveries and enhance our understanding of the universe around us.”
In early February 2020, I had the opportunity to participate in one of these observing sessions. I received an email providing instructions for a particular target and observing time to collect data on an exo-planet transit of “WASP-43b”. The procedure involved setting up beforehand, selecting and confirming the target and then starting the Enhanced Vision capture process and letting it run autonomously for several hours as it tracked the target. Afterwards there was the capturing of 30 seconds of “dark frames” and then initiating the download of data from the telescope followed by the upload to their servers. While I encountered a few issues along the way (included in my bug list below), it was fun to get to participate in a data gathering session like this.
Here’s a more recent example of results from a “citizen science campaign” I was able to participate in. This was an effort to detect occultation by a Jupiter Trojan asteroid (“Palinurus”) on May 27th, 2021:
Here’s a couple of real time recordings of the Unistellar app showing the live view from the eVscope of the Orion Nebula (over 3.5 minutes) and Bode’s Galaxy (over 6 minutes):
Here are some images illustrating the views you can generate and enjoy in just minutes with the eVscope. I’ve included both screenshots of the full image displayed on my phone as well as the circular cropped image that it produces for display in the eyepiece and that it allows you to save from your phone. (The eyepiece shows only the circular cropped image and it does not display the descriptive text or circular outline.) I have not done any further processing on these images – these are just as they were originally generated by the eVscope app or screenshot-captured off my phone. (Originally, the eVscope app would only save the circular cropped version, but now the app will let you save the full uncropped version.)
The Sony IMX224 Exmor CMOS color sensor used in the eVscope has a resolution of 1305 x 977. The images saved from the eVscope app are 1280 x 960 and the circular cropped images are 1080 x 1080.
Click on any image below to see the full size version and to browse the gallery:
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Flame Nebula NGC 2024 |
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Running Man Nebula NGC 1977 |
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Bode’s Galaxy M81 |
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Orion Nebula M42 |
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Eagle Nebula M16 |
Andromeda Galaxy M31 |
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Whirlpool Galaxy M51 |
Lagoon Nebula M8 |
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Eastern Veil Nebula, NGC 6992 |
Ring Nebula, M57 |
I’ve decided to upgrade to the newer eVscope 2 and so my original eVscope is now up for sale. I’m asking $2000, including the Unistellar backpack. Contact me via email: (chris “at” crimdom “dot” net).
It’s really great that Unistellar is obviously listening to its users and has been steadily improving the software for the eVscope. Many of my own issues and feature requests have already been addressed.
Here’s my feature requests as of May 2021 (both current and previously implemented), using version 1.3 of the Unistellar app, running on iOS 14 (iPhone 12 Pro and an iPad Pro):
PLEASE NOTE: There’s been a lot of changes to the app which, as of November 2022, is on version 2.1. I haven’t spent much time with it yet so probably all of these notes are out-of-date now.
These options or features are now available:
Currently you see a small constrained view far down the end of a tube. You should really try to shoot for a big gorgeous panoramic view, a “spacewalk vista”, like what you get with TeleVue’s fantastic, wide apparent field eyepieces. Could you simply make use of the same kind of optics and/or display technology inside the electronic viewfinders that Sony and other camera manufacturers use in their digital SLR cameras? These digital display viewfinders do a fantastic job of enlarging the apparent view on these tiny little displays. They’re a joy to use and provide a much larger, clearer, detailed view than you get from the displays mounted on the backs of these same cameras. I realize this would require a hardware change but oh, what a view that would be! Along these same lines, could there be a way to make use of the full uncropped image in the eyepiece? With relatively large targets, the uncropped view on the phone’s display is much more expansive and enjoyable than the much constrained circular cropped view. Could there be a way to present the full uncropped rectangular view and allow it to be rotated in the eyepiece to deal with changes in the telescope’s orientation?
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| PLEASE NOTE: There’s been a lot of changes to the app which, as of November 2022, is on version 2.1. I haven’t spent much time with it yet so probably all of these notes are out-of-date now.
As of May 2021, these are the issues I currently see on version 1.3 of the Unistellar app for iOS 14 (iPhone 12 Pro and an iPad Pro):
The following issues all seem to be addressed – or at least haven’t happened again yet as of the given version. As of version 1.3:
As of version 1.1:
As of version 1.0:
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I recently received my eVscope from Unistellar and after just a few sessions with it, I thought I would share my thoughts and experiences with it so far – particularly since there wasn’t a lot of info available when I ordered it in back in July of 2019.
The Unistellar eVscope is quite different from a traditional optical telescope. It’s a highly integrated and automated digital imaging telescope that enables you to easily find and view deep sky objects in color and detail that would not normally be perceptible to your eye looking through a normal optical telescope. In addition, the eVscope is designed to let you easily participate in and contribute data to crowd-sourced “citizen science” projects.
The eVscope is a 4.5-inch Newtonian reflector that captures light on a highly sensitive, low noise Sony IMX224 color sensor while using a motorized alt-az tracking mount and autonomous field detection to automatically identify, align and continually track its view of the sky. Integrated image-processing software takes and combines an on-going series of short exposures to generate an image in almost real time that brings out much of the very low light, color and detail that’s not visible to the human eye even when looking through a normal telescope. This view accumulates over just seconds and minutes and is displayed both in the telescope’s eyepiece (on an OLED display) as well as on a WiFi-connected smartphone. The whole thing is self-powered via an integrated 9-10 hour rechargeable battery, fits into a large backpack and weighs just under 20 lbs. including the provided tripod.
In other words, it’s quite an impressive level of integration!
